19.06 / su / 18:00—19:30

Dedication to Iannis Xenakis

Shpagin Plant / Hall No. 5
The programme includes:

Petr Glavatskikh
Solo Concert

Iannis Xenakis Rebonds A for percussion solo

Petr Glavatskikh Intro for santur

Lera Auerbach Prelude, Toccata and Postlude for vibraphone (Russian premiere)

Marta Ptaszyńska Graffito for marimba

Midori Takada "Elektra" for percussion

Edison Denisov "Black Clouds" for vibraphone

Grigory Smirnov "Mirrors of Emptiness" for marimba and digital delay

Petr Glavatskikh "Epitaph" for semantron

Iannis Xenakis Rebonds B for percussion solo




12+

Composer, percussionist and multi-instrumentalist Petr Glavatskikh dedicates the programme to Iannis Xenakis, whose 100th birthday anniversary is celebrated this year. The Greek classic of the 20th century brought the music for percussion solo to a new philosophical, virtuoso, and concert level. Two parts of his famous opus Rebonds A and B characterized by incredible technical complexity and powerful rhythmic pressure will open and close the programme. 

Modern compositions will be performed between them – from the Russian premiere of Lera Auerbach's opus to Petr Glavatskikh's own work written for semantron.



all tickets sold out
Concert of musicAeterna
Concert 11.06 / sa / 20:00—22:00

Concert of musicAeterna

Ite, missa est
Concert 12.06 / su / 03:30—04:30

Ite, missa est

Russia Cast Adrift
Concert 12.06 / su / 22:00—23:00

Russia Cast Adrift

Schönberg&Schubert
Concert 13.06 / mo / 20:00—21:30

Schönberg&Schubert

Palace of Culture named after Soldatov

The programme includes:

Opening of the Diaghilev Festival 2022

Richard Strauss (1864–1949)
"Metamorphosen", a symphonic study for 23 solo strings, TrV 290, AV 142 (1945)

Pyotr Ilyich Tchaikovsky (1840 –1893)
Symphony No. 6, "Pathétique", B minor, Op. 74 (1893)

MusicAeterna Orchestra

Conductor — Teodor Currentzis



12+

The musicAeterna Orchestra conducted by Teodor Currentzis will perform two compositions considered the pinnacle of the symphonic tragedy genre at the opening of the Diaghilev Festival 2022.

Richard Strauss was composing the symphonic etude "Metamorphosen" in the last months of World War II and finished it in April 1945. The experience of living through a catastrophe gave impetus for the birth of one of the most exquisite symphonic adagios. "Perhaps, Strauss lived until 85 years solely to create this magnificent thing," the French critic Roland-Manuel would later write. Using centuries-old rhetorical means of expressing grief, weaving motifs in a masterful, continuously changing counterpoint, Strauss composed an elegy for the death of the former world.

Tchaikovsky in his Symphony No. 6 paves the way to the future, to the acute expression of musical psychodramas of the 20th century. Here the music's emotional charge reaches an unprecedented level. The extreme imaginative and dynamic contrasts that bewildered the first listeners still retain a shocking power of impact and inevitably throw the audience off balan.


all tickets sold out more

Perm Art Gallery

Enigma Concert. The programme will be announced at the end of the concert.

18+

Enigma Concert. The programme will be announced at the end of the concert.
all tickets sold out more

Private Philharmonic Triumph

The programme includes:

Georgy Sviridov (1915–1998)
"Russia Cast Adrift", a cycle for voice and piano to the lyrics by Sergei Yesenin (1976–1977)
Alexey Sioumak's version (b. 1976)
for soloist and chamber ensemble (2022)

Performers:

Andrey Nemzer – countertenor,
Elena Morozova – reciter

Praktika Chamber Ensemble:

Olga Vlasova – conductor, music director,
Daria Morozova – flute,
Sofia Safronova – clarinet,
Alexander Lebedev – trumpet,
Roman Vikulov – violin,
Alexey Govorov – cello,
Tamara Zhukova – double bass,
Nadezhda Reutova – accordion,
Natalia Sokolovskaya – piano,
Alexander Tynyanskikh, Praskovia Tynyanskikh – percussion



18+

The vocal cycle "Russia Cast Adrift" is one of Sviridov's most significant music works composed to the poems by Sergei Yesenin. The selection of texts for the cycle revealed to the listeners unfamiliar Yesenin — a mystic, a religious thinker. Upon Yesenin's lines, Sviridov wrote his own poem about Russia with a deep philosophical basis, a poetic-archaic sound and a cut-through movement from landscape lyrics through dramatic collisions to the anthemic finale.

Sviridov conceived the cycle "Russia Cast Adrift" as a symphonic opus and insisted on the genre definition of "poem", but he never got the chance to do the orchestration. This task was completed by one of the leading composers of the 40-year-old generation Alexey Sioumak, who rearranged Sviridov's cycle for the chamber ensemble.



all tickets sold out more

Perm Philarmonic Organ Hall

The programme includes:

Arnold Schönberg (1874–1951)
String sextet Verklärte Nacht / Enlightened Night, ор. 4 (1899)

Franz Schubert (1797–1828)
String quartet № 14 Der Tod und das Mädchen / Death and the Maiden, D 810 (1824)


Performers – the soloists of the musicAeterna orchestra:
Dmitry Borodin, first violin,
Ivan Subbotkin, second violin,
Grigory Chekmarev, first viola,
Dinara Muratova, second viola (viola in Schubert's quartet),
Vladimir Slovachevsky, first cello (cello in Schubert's quartet),
Maxim Akchurin, second cello



6+

The programme by the musicAeterna orchestra soloists combines two famous chamber ensemble compositions, one of which opens, and the other closes the era of Romanticism in music. Schubert's string quartet "Death and the Maiden" lets poetry into the formerly strict classicist genre of pure music, whereas Schönberg with his string sextet "Enlightened Night" sums up the late Romantic style and introduces "neologisms" into it which later would lead to the birth of the new, atonal music. Both masterpieces have hidden literary programmes that clarify while at the same time obscure their complex content.
all tickets sold out more