29.06 / th / 19:00—20:30

The Seasons 300. The project of Petr Glavatskikh

Shpagin Plant, Litera D1
On the programme:
AUTUMN

Antonio Vivaldi (1678–1741)
The Four Seasons, Op. 8 (1720). Autumn, Concerto No. 3 in F major, RV 293: III. Allegro 

«O pervykh poselentsakh Permskogo kraya» [On the First Settlers of Perm Krai], a folk tale

Ney Rosauro (b. 1952)
Concerto for marimba solo and string orchestra No. 1, Ор. 12 (1986). I. Saudação | Greetings

A folk-tune «Protyazhnaya» [Drawling] performed on whistles 

«Astrolom i ovtsy» | Stargazer and Sheep, a spoken tale

Edison Denisov (1929–1996)
Black Clouds for vibraphone solo (1984)

WINTER

Antonio Vivaldi
The Four Seasons, Op. 8. Winter, Concerto No. 4 in F minor, RV 297: I. Allegro non molto

«O tolkovanii snov» [On the Divination of Dreams], a folk dream-book

Petr Glavatskikh (b. 1979)
Winter, solo for the surdo drum

Ney Rosauro
Concerto for marimba solo and string orchestra No. 1, Ор. 12: II. Lamento | Lament

A folk-tune «Batyushka» [Daddy] performed on kugikly (Russian pan-pipes)

SPRING

Antonio Vivaldi
The Four Seasons, Op. 8. Spring, Concerto No. 1 in E major, RV 269: II. Largo e pianissimo sempre

Ney Rosauro
Concerto for marimba solo and string orchestra No. 1, Ор. 12:  III. Dança | Dance

«Vyletel kulik» | A Sandpiper Flew Away, a Russian folk song

Petr Glavatskikh 
Spring, solo for the bongo and surdo drums

SUMMER

A folk-tune «Ureye-u» performed on zorkas (Komi pan-pipes)

«Svetyashayasya travka» [Luminous Grass], a folk tale

«Ovdya i pikany» [Ovdya and Wild Angelica Plants], a folk tale

A folk-tune performed on paelyans (Komi pan-pipes) 

«Otchego grom byvayet» [Where Thunder Comes From], a folk legend

Antonio Vivaldi
The Four Seasons, Op. 8. Summer, Concerto No. 2 in G minor, RV 315: III. Presto

Petr Glavatskikh 
Summer for the semantron solo

Ney Rosauro
Concerto for marimba solo and string orchestra No. 1, Ор. 12: IV. Despedida | Farewell

Performers:
Petr Glavatskikh, percussion
Creative Association "Repey" (Moscow), Artistic Director Marina Kryukova
Rosarium Chamber Orchestra of the Faculty of Historical and Contemporary Performance at the Moscow State Conservatory, Artistic Director Marina Katarzhnova

18+
A frequent participant of the Diaghilev festivals of the past years, multi-percussionist Petr Glavatskikh presents the project "Age 300". The project is dedicated to two 300-year anniversaries at once: the foundation of the city of Perm and the creation of "The Four Seasons" by Antonio Vivaldi - a composition that has become to represent the early music.

The concept of the evening is organized around the idea of time. The endless cyclical change of seasons is reflected here in the music of different eras. Traditional Perm folklore in the concert programme stands next to Baroque and modern compositions, giving a historical and cultural perspective to the current developments. Fragments from Vivaldi's "Seasons" enter into a dialogue with the percussion concerto of the end of the 20th century. The Marimba Concerto by Ney Rosauro, a Brazilian composer whose works for percussion have entered the standard repertoire, has been performed several thousand times around the world over half a century since its creation and, apparently, can be considered one of the most popular percussion compositions in history. Latin American rhythms serve as the basis for the music of the concerto - the same foundation for Vivaldi's concerto style was the Venetian rhythms of his time. The programme is complemented by solo compositions for percussion: "Black Clouds" for vibraphone by Edison Denisov, a classic of the Soviet avant-garde, and preludes dedicated to spring, autumn and winter by Petr Glavatskikh himself.

Together with the soloist, the Rosarium Chamber Orchestra and the creative association "Repey" take part in the concert.

Rosarium is a collective focused on the authentic performance of the 18th century music. It has been part of the Faculty of Historical and Contemporary Performance of Moscow Conservatory since the formation of the faculty in 1997 and last year presented a programme of works by Bach and Telemann at the Diaghilev Festival.

Creative Association Repey studies traditional musical culture and invents forms for its presentation in an urban environment. The soloists of Repey have mastered the South Russian style of singing, rare vocal, and instrumental techniques on Pan’s multi-barrel flutes — kugikles, paelyans, zorkas — and single-barrel flutes whistlers. All the flutes of the ensemble are made by the participants from giant umbelliferous and gramineous plants. The concert will include folklore material collected by the ensemble in expeditions around Perm Krai and the South of Russia.