27.12 / fr / 19:00

Concert of musicAeterna Orchestra

The Great Hall of the Perm Philharmonic

Maurice Ravel (1875–1937)
Suite No. 2 from the ballet Daphnis and Chloe (1912)
Lever de jour. Lent
Pantomime
Danse générale

The Waltz, a choreographic poem for orchestra, M. 72 (1919–1920)

Ottorino Respighi (1879–1936)
The Pines of Rome, a symphonic poem, P. 141 (1924)
I pini di Villa Borghese | The Pines of the Villa Borghese
Pini presso una catacomba | Pines Near a Catacomb
I pini del Gianicolo | The Pines of the Janiculum
I pini della Via Appia | The Pines of the Appian Way

Conductor Teodor Currentzis


12+
In the programme of the musicAeterna Orchestra, Maurice Ravel and Ottorino Respighi meet — masters of colouristic symphonism, impressionists freed from the shackles of classical harmony and form, who discovered the treasures of pre-classic music and paid tribute to neoclassicism. Both composers worked with Sergei Diaghilev's Ballet Russes: the ideas of the Russian impresario influenced their work to a great extent.
Concert of musicAeterna Orchestra
Concert 26.12 / th / 20:00

Concert of musicAeterna Orchestra

The Great Hall of the Perm Philharmonic

Maurice Ravel (1875–1937)
Suite No. 2 from the ballet Daphnis and Chloe (1912)
Lever de jour. Lent
Pantomime
Danse générale

The Waltz, a choreographic poem for orchestra, M. 72 (1919–1920)

Ottorino Respighi (1879–1936)
The Pines of Rome, a symphonic poem, P. 141 (1924)
I pini di Villa Borghese | The Pines of the Villa Borghese
Pini presso una catacomba | Pines Near a Catacomb
I pini del Gianicolo | The Pines of the Janiculum
I pini della Via Appia | The Pines of the Appian Way

Conductor Teodor Currentzis


12+

In the programme of the musicAeterna Orchestra, Maurice Ravel and Ottorino Respighi meet — masters of colouristic symphonism, impressionists freed from the shackles of classical harmony and form, who discovered the treasures of pre-classic music and paid tribute to neoclassicism. Both composers worked with Sergei Diaghilev's Ballet Russes: the ideas of the Russian impresario influenced their work to a great extent.
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